”As irreverent as it is poignant" (Australian Arts Review). Genre-blurring jester and cellist Karen Hall peels back the layers of formality leaving you with only the humanity and insanity of the artist behind the instrument. And yourself. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations and success through the eyes of a fool. Winner: FringeReview.co.uk's Edinburgh Fringe 2025 Outstanding Theatre Award.